One of the most common misconceptions I’ve encountered in my exploration as a guest learning the history of Southern Rootwork is the tendency to lump Hoodoo together with Voodoo (Vodou), SanterÃa (LucumÃ), or Palo Mayombe. While these traditions all share African roots, they are distinct paths with very different heartbeats.
As a student of these histories, I’ve come to understand that Hoodoo is not an organized African religion; rather, it is a sophisticated system of African American folk magic and spirituality that developed primarily within a Christian framework.
Saints in the Folk Catholic Tradition
For those of us following the Folk Catholic tradition, working with saints is a direct practice. It is essential to note that we petition the 'saints' themselves as divine intercessors. They are not used as syncretized masks or "stand-ins" for spirits like the Loa, Orisha, or Mpungo, because Hoodoo is not an African or Afro-Caribbean religion.
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| An altar to the Virgin Mary, St. Joseph, and the seven Archangels. |
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| St.Martha the Dominator and our votive offerings to her: Florida Water, perfume, Holy Water, St.Martha oil, and a small broom. |
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| Some Catholic Hoodoo practitioners like to dress holy candles when petitioning or praying to the Catholic Saints or invoking their power, presence, or assistance in magical rites. |
The Deep South and the Church Connection
My interactions with practitioners from the Deep South have been eye-opening. While there are certainly Roman Catholic rootworkers, the vast majority are dedicated members of Baptist, Methodist, Pentecostal, and Spiritualist Churches. As a guest, I’ve observed that the "power" in their work doesn't come from a pagan pantheon, but from the Holy Spirit and the authority of Jesus.
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| In the practice of Conjure, the physical tools of the rootworker serve as vessels for divine authority; Hoodoos draw power from Christian spirits to activate the curios and roots used in their spiritual labor. |
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Christianity in the Kingdom of Kongo
I often hear the argument that "Africans didn't arrive with Bibles in their hands." While it is true that many brought indigenous or Islamic beliefs, history reveals a more complex story. In the Kingdom of Kongo, Christianity had actually made deep inroads as early as the 15th century—long before the height of the transatlantic slave trade.
When Portuguese missionaries introduced Christian iconography, it resonated with the BaKongo people because it mirrored their own spiritual precepts, such as the Kongo cross (the Yowa). Therefore, many enslaved Africans arrived in the Americas already familiar with Christian symbols, allowing Hoodoo to develop as a "braided" tradition of African logic and Christian faith.
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| Kongo-Christian Brass Crucifix: A historical case study in syncretism showing how early Central African believers merged ancestral “root” traditions with the imagery of the Church. |
A Tradition Born in America
Hoodoo as a distinct tradition began to develop when Black ancestors incorporated the Bible and the figure of Jesus into their spiritual work. It did not originate in "pagan" Africa or the Caribbean, but rather grew within the primarily Protestant Christian colonies of America.
Hoodoo reached its full form when the enslaved became Christians and formed their own churches. While it contains an incredible repertoire of African folk magic and religious practices, it is not an African religion. For many, it isn't an organized religion at all, but a way of working that is centered on faith. As Reverend Washington Phillips famously said: "No matter what your church, you better have Jesus, I tell you, that's all."
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| A simple altar of a Folk Christian Hoodoo practitioner. |
References & Further Reading:
- Fromont, Cécile. (2014). The Art of Conversion: Christian Visual Culture in the Kingdom of Kongo. University of North Carolina Press.
- Thompson, Robert Farris. (1983). Flash of the Spirit: African & Afro-American Art & Philosophy. Vintage Books.
- Thornton, John K. (1998). The Kongolese Saint Anthony: Dona Beatriz Kimpa Vita and the Antonian Movement, 1684–1706. Cambridge University Press.
- Long, Carolyn Morrow. (2001). Spiritual Commerce: Quackery, Ritual, and Religion in the African American Market. Louisiana State University Press.
- Hazzard-Donald, Katrina. (2012). Mojo Workin: The Old African-American Hoodoo System. University of Illinois Press.
- Orsi, Robert A. (2005). Between Heaven and Earth: The Religious Worlds People Make and the Scholars Who Study Them. Princeton University Press.
- Phillips, Washington. (1927). "Denomination Blues" (Recorded Song).
- The Metropolitan Museum of Art. (Research on Central African Christian Iconography and the Kongo Cross).
Thank You for all you do. A fellow Filipino who practices the craft appreciate you guys ❤️
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DeleteHi Marie,
Wow! Its great to know other Filipinos practicing Hoodoo and Rootwork!
Sorry for not responding right away. We just have a lot on our plates lately.
Its our pleasure to share our knowledge and practice too to our fellow Filipinos.